Maybe something terrible will happen

Maybe you'll have a good time.
Actresses talk a poetic language performed as a casual one,

Look like incantations.

I feel like it’s improvised, but the demand to perform remains unclear.

As if playfulness took over life, and that the time they were asked to perform was just a vague souvenir.

That way magic finds its place within, the most blunt, modest, everyday-life visuals (at least for the first part of the movie).

I can understand an unsuspected language.

If I have the power to feel from that « magic improvised language » then I should be able to speak that language, and that there is probably many dialects of this « magic improvised language » yet to discover.

The ‘status’ of the actresses remains unclear. At first I thought that one was a paranoid loony chased by the other that I suspected to be a witch. Then some kind of chassé-croisé happens and I don’t know anymore which one master magic. The one that was chasing (because she was holding an esoteric book) or the other one that later in the movie does classic prestidigitation. At some point they are not (only?) witches anymore but teenagers projecting their fantasy and trying to build a narrative (that narrative is performed by others actors in the movie, including the wonderful Bulle Ogier)

To me the chassé-croisé goes further and the two actresses become the director of the movie at that moment. Because obviously most of the movie is being improvised. This extend the film to its condition of making. I feel like these are the conditions of working that we should pursue. We should aim at experimenting this way, accepting a playful improvisation with our collaborators, even if it is gambling on the final aspect of the work. Kathy Acker stated «  you can do whatever you want with my work ». It seems that Rivette way of working could be « you can do whatever you want with my work yet to be made ». I want to work this way.
Céline et Julie vont en bateau
Fragmentation of self a text Horizontal IN A DIALOGUE a text Vertical MASCULINE TIES a text Switching the listening a text You don’t question it a text Cartoony vibe a text cinematic tropes a text Shallowness of the stage a text New stage in life a text Somehow easy a text Helping with the heaviness a text ONE HUNDRED PERCENT Comfortable a text Rude ways to address a text Do I still like being here a text Fast decision making a text Quality staged a text MAYBE BECAUSE a text not OVERLY polished a text The shaving overrule a text Basic ways of depicting a text WHAT DID I JUST READ AGAIN A TEXT Fuzzy dreamlike a text EFFICIENCY OF NEWNESS A TEXT Do more with the light a text Waiting for disappointment a text Push it more a text NO CHAIR TO SIT A TEXT The dog is sadness a text Barely holding stitches a text Repeat some lines a text The decay of flowers a text Vulnerable becomes lovable a text lovable pathetic a text REPETITION is key a text Melancholic late night show a text Suave voices a text IT’S WARM IN HERE A TEXT Smooth voices a text Sadness of a mime a text Drama is on the self a text Enjoy the echo a text Performance as binder a text WHAT ARE WE DOING TO HIM a text The kissing part really strong a text Shapeshifting a text Behind the fuzzy land a text opaCITY QUESTIONABLY pretentious a text HANDCRAFTED FROM THE STUDIO a text ACCESS TO METHOD A TEXT VERY TV A TEXT POURING COFFEE a text NOT MOVING MUCH a text SLIGHTLY IMPOSING a text PATTERN ARTISTS a text WOULD IT DAMAGE TO SEE IT TWICE A TEXT I’M NOT SURE a text PUPPETS HANDCRAFTED a text ACCESS TO METHOD a text NICE CONTRAST a text TRAVELING THROUGH TIME a text CARRY EXPECTATIONS WITH YOURSELF A TEXT PRACTICING ON A DOG a text JUST ENOUGH A TEXT FAKE JOB a text SNAP TO THE NEXT a text YOU DON’T QUESTION IT a text IT COULD BE ONE HOURS AND A HALF LONG A TEXT WHAT DO WE NEED a text INDUSTRIAL SURVEILLANCE a text CAN BE STRETCHED a text HAVE BEEN STRETCHED a text MAKING IT EASILY CONFUSABLE a text WORKSHOPPING ON A DUMMY a text NEXT STEP JOIN US a text KEEPING ROOTS PROHIBITIVE a text FRANKLY SPEAKING NOT NICE A TEXT PURGE THE PAST a text STUPID CLOWN JOKE A TEXT FOLLOW THE LEAD A TEXT READING WITHOUT NEEDING A TEXT GIVE YOU THE HAND A TEXT WITHOUT SCULPTURE A TEXT CAN BE VERY HEAVY A TEXT MEDIATING THE EXPERIENCE OF SOMEONE ELSE A TEXT CONFRONT UNCOMFORTABLE A TEXT UPSTAIRS SOME TRICKS A TEXT WALK INTO A ROOM A TEXT THIS COULD FIT A TEXT IT DOESN’T MATTER WHERE WE ARE A TEXT I’D LIKE TO SEE MORE A TEXT IT SEDUCES YOU TO COME BACK A TEXT BORDER AROUND THE SCENE A TEXT SOFT FOCUS A TEXT GENUINE PURPOSE A TEXT TALKY WALKY A TEXT LOSELY MADE A TEXT BLEND INTO IT A TEXT I DON’T KNOW IF THIS IT APPROPRIATE A TEXT HAD TO COOL DOWN A TEXT GIVES SOME IDEAS A TEXT BUT AT THE SAME TIME A TEXT IT’S MOODY A TEXT DO INITIATE A TEXT THE STAGES BLEEDS IN OTHER FORMS A TEXT ASSEMBLED QUICKLY A TEXT THE CRYING EYES THE FLOPPY SKIN A TEXT CONTRADICTORY FORCES A TEXT MAKING AND DRESSING A TEXT STRONG SENSE OF ECONOMY A TEXT UNBALANCED QUALITY A TEXT MY HAND IS JUST DOING LIKE THIS A TEXT EXPERIENCE IN SEVERAL ROUNDS A TEXT VOICES SLIGHTLY DIFFICULT TO UNDERSTAND A TEXT EVERYTHING ON A SUITCASE A TEXT DON’T TAKE YOURSELF TOO SERIOUSLY A TEXT PAYS ATTENTION TO DETAILS A TEXT HANDY WAROL WRITTEN IN TEDDY’S ACCENT A TEXT IT COULD HAVE BEEN LONGER A TEXT HOW DO YOU GET WALKED OUT A TEXT IMAGINE TODAY BEING FILMED A TEXT ADD ANOTHER STEP A TEXT FLIPPING THINGS HELP TO CONCENTRATE A TEXT SMILING POLITELY A TEXT WAITING ROOM WAITING ROOM WAITING ROOM A TEXT YOU MISS SO MANY THINGS A TEXT BASSET BLOOD HOUNDS DOES IT MATTER A TEXT MAYBE I JUST COULDN’T HEAR IT SO WELL A TEXT I DO PERHAPS AGREE A TEXT SIGNS ON THE WALL A TEXT WRITING IS A BACKBONE A TEXT YOU CAN DEPART FROM LANGUAGE A TEXT SCRIPT TIME AND PERSPECTIVE A TEXT WORDS MELTED AWAY A TEXT HOW DID YOU GET THE IDEA TO DO THAT A TEXT I DON’T NEED THE WORD DETECTIVE A TEXT I JUST WANT TO KNOW ONE THING A TEXT I WOULD VISIT IT TWICE A TEXT AND THEN LIKE A TEXT PERMIT SOME MISTAKES A TEXT FRAGMENTS ARE ENOUGH A TEXT BLURRED IMAGES BRINGS PLEASURE A TEXT I FORGOT SOME PASSAGES A TEXT NIBBLE THE BACKBONE A TEXT MARK WAYS OF APPROACHING A TEXT ON SUBCULTURAL YOU DON’T NEED TO ATTACH A TEXT UNFAMILIAR WITH FRENCH CLASS A TEXT A MOIST TO MOVE A TEXT SEXUALITY IGNORES CLASSES A TEXT LOOK IT IN THE TOTEM A TEXT SELF HUMILIATION FOR THE PURPOSE OF COMEDY A TEXT KIND OF TRUE a text AS LONG AS WE SHIFT IN A PLAYFUL WAY
The acquisition of my tape recorder really finished what­ever emotional life I might have had,but I was glad to see it go. Nothing was ever a problem again, because a problem just meant a good tape, and when a problem transforms itself into a good tape it’s not a problem anymore. An interesting problem was an interesting tape. Everybody knew that and performed for the tape. You couldn't tell which problems were real and which problems were exaggerated for the tape. Better, yet the people telling you the problem couldn't decide any more if they were having the problems or if they were just performing.
You know Tony, you are not the only one who feel alone in here, it’s what I like to call our collective solitude. Think about these rave kids dancing all together yet by themselves on the pulsating, highly energized, yet exhaustively durational electronic music known as techno.